insights, ironies and idiosyncrasies in communication and design

from the wide, wide world and the world wide web
Showing posts with label bangkok. Show all posts
Showing posts with label bangkok. Show all posts

Monday, 24 May 2010

(What's the story) mourning or glory?



The apocalyptic counterstrike and mayhem of the consequent meltdown of wednesday the 19th may have carved a large chunk out of both the Bangkok cityscape and the collective middle to upper-class psyche, leaving a still-weeping, iconic wound that will fester for years to come, but the real loss – which has largely been ignored, and which will never truly be known in full is of those (on both sides) killed fighting in the street battles leading up to and in the final flourishes of the crackdown.

At the loss of city infrastructure many are sad and quite rightly so. At the loss of businesses many are angry and quite understandably so. Of the loss of duped pawns in an old money versus new money political game, no one really knows.

Witnessing the debris first-hand in the hours after the fall and subsequent sacking of Ratchaprasong, smoking malls, burnt-out stores, vandalized banks and charred ATMs, melted phone booths, smashed glass, broken paving stones and bullet holes were visible at every turn, as well as the remnants of looting littered in shop fronts all around – stripped mannequins, coat hangers, security tags, big-brand boxes and bags and even the odd piece of merchandise. But in the embers of what was Bangkok's elite playground, too, lay thousands upon thousands of simple items of lost property: ordinary shoes, clothes and bedding, cooking equipment and food itself – the possessions of a large number of protestors, possessions that seemed discarded before a mass, hurried, unplanned exit. Or worse still. We will never know.

Even factoring in the relocation of several thousand people to Wat Pathumwanaram pre-crackdown, the half-cooked noodles, unpacked clothes, broken, orphaned shoes, unfinished soup, cheap, multi-coloured space blankets and square traditional Thai pillows, suggest an interruption of truly unknown proportions – but now the loss of a sandal or two is being seen as nowhere nearly as grave as the loss of a knock-down party frock. The unpurchased party dress is being deemed of greater importance than the only pair of shoes you own.

And that's understandable – when the state are also claiming the high moral ground, mourning over the tragic material loss of city infrastructure, as well as reveling in a glorious victory over terrorism. But as microblogger Ethan Schmohawke quickly pointed out: "...the Thai regime should realize that you can either crush an opponent or paint yourself as the victim, but you can't really so both..." – not least for the fact that when you do both, when both views are mutually held, an increasingly feverish, polarized stance is further galvanized, a stance that does not allow for any other side to this story.

(Frame grabs, from my upcoming documentary, shot at Siam Square and Ratchaprasong on the 20th of May, 2010.)

Tuesday, 20 October 2009

Slee-py TV?




With either malfunctioning units in the case of the Sondhi assassination attempt or unverifiable footage in the case of the King Power airport scandal, the CCTV unit has come under some scrutiny in Thailand of late.

It's still surprising though that dreamy, suburban hi-so shopper oasis The Crystal has stuck its neck out be offering customers that little extra bit of personalised car park care in the shape of security guards strategically sat aloft in high-seat Baywatch beach chairs – as although the context switch (from beach or tennis court to car lot) is a deft and innovative design move, it remains strangely DIY for such a luxury mall.


As to its efficiency, only time will tell. The guards we saw appeared upright and hawk-like when we were there exposed by the midday sun – even though the car lot was empty – but what with their general reputation for a snooze, we just hope that when dusk arrives sleepiness won't kick in.


Photography by Asit Prueangwet.

Tuesday, 13 October 2009

A nice change.




It's easy to knock True as a brand for their unfocussed and frivolous product line extensions and general air of unwarranted hype – but for showcasing relevant, utile and engaging design such as this one has to tip one's hat.

Easily mistaken as an architectural leftover or structural orphan, Thai architect Duangrit Bunnag's Magic Mirror, housed on the third floor of True's Siam Square boutique store, is a cleverly understated piece of function-led design that ensures you never have leave the fitting room to show off what you're trying on. The electrical current that charges the crystaline film that renders the walls opaque (for while you're getting changed) is disengaged when the door is pulled ajar, allowing the glass to return to its transparent state when you're ready to parade whatever you've picked up from off the rail.

The really nice change though is the appearance of such a truly genuine triumph of design in a site of such popular appeal.

Photography by Asit Prueangwet.

Modeled by Kwan & Gift.

Friday, 14 August 2009

Pretty vacant?



Numbers are everything. Looks are more.

Pretty or pretty vacant?

Spotted in Bangkok marble mall Mahboonkrong.

Wednesday, 16 July 2008

A new mall?



The constant bane of the Bangkok art world has always been that there's no sizable modern art gallery in the city, and now they've got one the collective moan must surely switch to the tasteless appearance of a venue many thought they'd never see – that is until the true function of the place becomes apparent.

Massive in terms of size and location (five stories plus on the corner of Phayathai Road and Rama 1) the Bangkok Art and Contemporary Culture Centre, as it is named, has borrowed its form and features from the ugly Siam Discovery Center across the way so as to fit in with the showiness of the surrounding malls. Both boast, literally, shiny hi-tech metallic columns and a nasty faux alabaster trim. 

What's more frightening though than the building's tasteless outer appearance is the proposed plans for the place. According to one art world insider, retail spaces will be let out on each floor, which means tat like this will be rife – in spite of Governor Apirak's claim that "The centre will aim to offer a cultural alternative for urban individuals, especially the youth, who often spend their leisure time at shopping malls in this area."

Friday, 6 June 2008

Shoot!



It's standard procedure to have a cop on your set when shooting in Thailand, though you don't usually need one when doing casting – but I suppose that's what you get for doing a screen test in a BMW.

We left the scene (of the crime) with the talent's portfolio and he left with a 500 baht fine (around 15 USD) which the agency later agreed to pay. The cop performed admirably, refusing all bribes offered to him from my art director in the rear of the car and only pretending to notice my camera towards the very end of his monologue.

Tuesday, 3 June 2008

The number of the beast.


Not as fierce as the now infamous Chuwit sledgehammer election poster but equally as evil in its insidiousness, this Bangkok election campaign candidate boasts preciseness of man-bouffant and laser-white brilliance of teeth [two assets that the PR team behind this believe are clearly more relevant to the electorate than honesty and integrity] that could only be the result of Photoshop.

The poster actually took me back to my student days when local Tory MP Michael Fabricant was roaming the Shires of the UK. You may be forgiven for thinking that Fabricant is not actually a real person at all, but British comic Harry Enfield in disguise.



Saturday, 31 May 2008

The biggest billboard in the world.



A comment made in response to my post on Beijing construction site boards, praising the value of boards being used in some cultures to keep eyesores (junk, trash etc) away from the population, brought to mind a rather large cover-up operation in Thailand (that occurred during my pre-blogging days).

During the 2003 APEC forum a 360-metre long banner, brainchild of the then Bangkok Governor (now Prime Minister) Samak Sundaravej, was used to cover up a whole slum neighbourhood so that world leaders wouldn't have to view the 'mess'.

This type of short term, 'band aid' solution perfectly demonstrates that face (and not substance) is everything in Asia.

If only Samak had sold the prime media space to a multinational corporation he could have regenerated the whole area and had enough left for a few aprons, too. 

Thanks to rascott.com for the image.

Saturday, 17 May 2008

Fishy business.
























'No Fishing' is one thing, but 'No Chucking Fish Back into the Lake' seems a bit of an odd law – even if you consider the merit making tendencies of most Bangkokians. 

Temple hawkers who sell birds to release into the wild have actually been known to attach fishing wire to the legs of the creatures so as to be able to rope them in and sell them again when the customer's turned the corner – so who would think the park administration would turn down the chance to sell and re-sell a pond full of fish over and over again?

Perhaps the strategy behind this park posting though is something altogether different. Maybe we're supposed to take the meaning of the two signs in tandem and the authorities are just concerned anglers might get plastered and chuck their day's catch back into the water?